A photography exhibition at the Galería de las Colecciones Reales turns Isabel Muñoz's months-long exploration of El Escorial into a closer, more sensory encounter with stone itself. Las piedras del cielo opened PHotoESPAÑA's 29th edition, pairing still images with objects, video and installation to trace what a Renaissance king built out of granite, water and belief.
What it is
Isabel Muñoz, winner of Spain's National Photography Award, spent months studying the Royal Monastery of San Lorenzo de El Escorial and the surrounding La Herrería forest for the third edition of Cuadernos de campo, a programme run jointly by Patrimonio Nacional, ACCIONA and PHotoESPAÑA that pairs established Spanish photographers with sites of exceptional natural value.
Her research traces back to Philip II, who conceived El Escorial not just as a monastery but as architecture bound to a wider symbolic order, echoing the Temple of Jerusalem and ideas of cosmic harmony. Muñoz follows that ambition through the building's granite, its water channels and the famous library, using photography alongside objects, video and installation to move past the still image toward something more telluric: stone as a threshold between geological time and the human will to build meaning out of raw material.

Why it's worth attending
Free entry to the exhibition that opened one of Spain's largest photography festivals is unusual on its own, and Muñoz's mix of media gives visitors more to engage with than a wall of framed prints. The subject asks for a slower pace than a typical photojournalism show: this is architecture and stone examined as a record of intellectual ambition, not a quick photo essay.

Practical info
The free entry covers only this exhibition; visiting the Galería's permanent collection requires a separate paid ticket. Nearest metro: Ópera (lines 2 and 5) or Plaza de España (lines 2, 3 and 10).
FAQ
Is Las piedras del cielo part of a larger series?
Yes, it's the third edition of Cuadernos de campo, a Patrimonio Nacional, ACCIONA and PHotoESPAÑA programme pairing Spanish photographers with sites of natural value.
Does the free entry include the Galería's permanent collection?
No, the permanent collection has a separate paid ticket; this exhibition is free on its own.
Is the exhibition only photographs?
No, Isabel Muñoz combines photography with objects, video and installation.
What does the exhibition explore?
The Royal Monastery of San Lorenzo de El Escorial and the surrounding La Herrería forest, focused on stone, architecture and Philip II's vision of cosmic order.
Did this exhibition open PHotoESPAÑA 2026?
Yes, it marked the official inauguration of the festival's 29th edition on 3 June 2026, open to the public from 4 June.

